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Thursday, February 28, 2013
Movie Review: 21 and Over

Movie Review: 21 and Over



And so comes the time for another comedy about kids getting extremely drunk and doing crazy things... Movies like this have a tendency to be either very good or very bad. Granted, none of the films in this genre are exactly Citizen Kane, but there are still still some that can be considered great because they do what they mean to: make us burst out laughing while still pulling a bit at our heartstrings (see: Superbad). And then there are others that neither make us laugh nor give us any real characters to care about (see: Project X). Thankfully 21 and Over lies more towards the Superbad end of that spectrum.

When college student Jeff Chang (Justin Chon) is about to hit the milestone of twenty-one, his two best friends from high school, Casey and Miller (Skylar Astin and Miles Teller), come visit their friend (whom they always refer to by his full name) in order to make sure he celebrates the momentous occasion in the proper fashion: with a night of drunken debauchery. Jeff Chang is resistant to the idea because he has an interview for medical school in the morning that his father went through a lot of trouble to set up. Casey, who already has a sweet job at a financial firm lined up after graduation, understands his friend’s responsibilities and lets him off the hook. Miller, however, is not willing to concede so easily. After much convincing from Miller, Jeff Chang agrees to join his friends for a drink or two.

But when one or two drinks turns into way too many, Casey and Miller find themselves in the position of needing to be the responsible ones in order to get Jeff Chang home for his interview the next morning. The only problem is neither of them can remember where Jeff Chang lives, and he’s too drunk to tell them. At this point we start seeing what the meat of the movie is comprised of: a hilarious series of events in which Casey and Miller are either avoiding Jeff Chang's father, seeking out information regarding where Jeff Chang lives, or seeking out the actual Jeff Chang, who winds up drunkenly wandering away from them several times. And when I say hilarious, I really do mean it. You can definitely tell that this movie was written and directed by the same men that penned The Hangover. Each situation the characters find themselves in is more outrageous than the last, culminating in a 99% nude walk across campus the next morning. (Thank God for tube socks.)

But amid all of the absurdities of the friends’ adventures, a surprisingly relatable emotional core is slowly revealed. The old friends learn that they are not as close as they once were, realizing that they have withheld information about their lives from one another since going off to college. In some cases the information is relatively inconsequential, but other news is much more shocking and serious. This allows the characters a bit of introspection to judge whether or not they've been acting like the friends they thought they were.

Anyone who’s ever gone away from their friends, for college or otherwise, will likely be able to connect to their situation on some level. The debate over whether or not some piece of news is worth calling an old friend and talking about, or if it it will just be seen as an interruption in their busy life. The surprise at how much you’ve missed out on in someone’s life when you’re catching up with them, and how you could have done more to better keep in touch.

Ultimately, this movie is about friends learning to be there for one another and that distance doesn’t mean you can’t still be close with the people you care about. Combined with the fact that it’s genuinely funny and has likable, witty characters, 21 and Over gives us everything a movie like this should.

Grade: B+



21 and Over
Directed by: Jon Lucas, Scott Moore
Written by: Jon Lucas, Scott Moore
Starring: Skylar Astin, Miles Teller, Justin Chon, Sarah Wright, Francois Chau
Release date: March 1, 2013

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Feel free to follow me on Twitter @JOKftw or post in the comments if you've got any questions or comments.
Movie Review: Dark Skies

Movie Review: Dark Skies



Dark Skies is actually a pretty good alien flick for several reasons:
  • It deals with an isolated incident rather than a full-scale world invasion.
  • It centers around a small, average family learning to believe in and accept the extraordinary events that are happening rather than members of a the government, military, or clandestine operation simply fighting aliens.
  • It doesn’t blatantly show the creatures, but relies more on them keeping just out of sight to create suspense which is also helped by the use of some really creepy sound effects to indicate their presence.
The only problem with these things making Dark Skies a suspenseful, emotional alien movie is that they’re the exact same things that made M. Night Shyamalan’s Signs a suspenseful, emotional alien movie back in 2002.

It can be said that all of those things have been done before by movies other than Signs, but the similarities don’t stop there. The elder of the two brothers in Dark Skies had complications during birth and suffered from illnesses all is life, just like in Signs. Both films also feature two parental figures, one of whom readily accepts the extraordinary situation at face value while the other needs time to learn to believe. Prior to the climax, both films feature a sequence of the family boarding up the doors and windows of their homes in preparation for the aliens, followed by a scene at the dinner table in which the father tells his children stories about their early childhood to ease their fears. Each of the films even features pet German Shepherds that bark uncontrollably when the aliens are near. And without giving too much away, a pair of walkie-talkies in Dark Skies plays a similar role to the baby monitors in Signs. Even the sequence of the dead birds lying all over the family’s lawn in Dark Skies is reminiscent of a deleted scene from Signs.

However, despite the fact Dark Skies features many of the same themes and elements as Signs, it is not a remake, and has a plot that is taken in a quite different direction. The experience of the family in Dark Skies is an isolated incident, rather than a part of a full-scale invasion. Because of this the movie has a much stronger emotional core. The knowledge that events like this aren’t happening all over the world, and that there is no one out there to help or believe the characters makes their situation all the more terrifying; and because they are alone, they must rely on each other.

At the heart of this predicament is the husband and father, Daniel Barrett (Josh Hamilton). Daniel is a man currently out of work who is worried about providing for his family. With many attempts at finding new work but no success, Daniel is embarrassed by the fact that he’s having trouble filling his role in the family. Normally the role of the emasculated husband/father comes across as tired and forced, but Hamilton is able to sell it. A great help in this is Keri Russell playing the role of Daniel’s wife, Lacy. Together, the two are able to provide one of the better depictions of a tense married couple with financial problems in recent memory. The arguments between the two aren’t built from the all-too-typical “Why won’t you talk to me about this?” framework, but feature two partners who actually talk about the issues at hand and express their differing opinions on how to handle them. As the strange occurrences brought about by the aliens are introduced and begin to escalate, so does the intensity of their discussions. The way Daniel and Lacy choose to react so differently to their situation, and how they handle each others’ differences on the subject is where the writing in this film truly shines.

Daniel and Lacy’s sons Jesse and Sammy (played by Dakota Goyo and Kadan Rockett) provide another solid relationship among the main characters. Jesse and Sammy share a strong brotherly bond, with Jesse reading Sammy a story every night via walkie talkie as they lie in their separate bedrooms. As the film progresses and tensions run high, they switch from storytelling to discussing their parents’ quarrels and the dire situation their family finds itself in. But no matter what the subject, these scenes between the two brothers always prove to be the most poignant in the film.

What separates this movie from others of its kind is the understandable, relatable characters. With much more in-depth characterization than what we normally get in films like this, we’re really presented with a family drama in the guise of an alien thriller. This makes the fact that many of the supernatural elements were borrowed almost excusable, but the amount is still too great to call this a good film all on its own.

Grade: C+



Dark Skies
Directed by: Scott Stewart
Written by: Scott Stewart
Starring: Josh Hamilton, Keri Russell, Dakota Goyo, Kadan Rockett, J.K. Simmons
Release date: February 22, 2013


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Feel free to follow me on Twitter @JOKftw or post in the comments if you've got any questions or comments.
ICYMI: Veronica Mars Mini-Reunion

ICYMI: Veronica Mars Mini-Reunion




Attention Veronica Mars Fans:
In case you missed their tweets last night, there was a mini-reunion at the LA KINGS-Detroit Redwings game:




The last time we saw Veronica Mars was in 2007 and fans are still crying out for a movie. If you're one of them, shoot an email over to VERONICAMARSMOVIE@WARNERBROS.COM as prescribed by Kristen Bell in a tweet from a few weeks ago.


You can currently see Kristen Bell in Showtime's House of Lies, Max Greenfield in Fox's New Girl, and Enrico Colantoni in CBS' Person of Interest.


And if you happened to be interested in the Kings-Redwings game, the Kings won 2-1.
Wednesday, February 27, 2013
Next Generation: Sony Playstation 4

Next Generation: Sony Playstation 4



This is no ordinary BOX.  As you may have heard, Sony will be releasing it's new next-generation console the Sony Playstation 4 later this year.  I took a peek at their debut event a few days ago via online stream and wow was I in for a treat.  The speakers ranged from system architects, developers, and even top executives from PC game companies (more on that a little later.)

Sony has spent a great deal of R&D of the new platform focusing on game developers.  They felt that providing an environment without limits will help creativity and bring the best out of game development.  I agree with this 100%.  The system is based on x86 architecture with an enhanced CPU/GPU from AMD.  The system is also going to use eight gigs of GDDR5 memory.  As far as the hard drive is concerned, I believe they will be using solid state judging by the feature set, but this is unconfirmed.  The system will also feature a suspend/resume state, so that you no longer have to reach that save point and then save to turn off your system.  Sony has also aimed to reduce loading and wait times.


With the new Playstation it comes with it's fourth iteration of the Dual Shock controller.  From the pictures I've seen this new controller has that similar layout as with the previous controllers, but combines the technology of the Playstation Move and should give the gamer a better experience while playing their favorite titles.  The controller also features a headphone jack, touchpad, light bar and this neat little feature, 3D tracking via the light bar.  The system will feature two, yes two cameras to determine depth.  Sony has this belief that the future of gaming will be spread by social media.  Sony has further integrated this aspect by introducing a share button on the controller.  Gamers will be able to share and upload video of themselves playing games.  This will be useful for gamers across all genres, fighting, rpg, sports, and driving.

Sony is aiming to build the fastest gaming network in the world, where users can download and try out games instantly, have facebook/ustream integration and a feature I did not think would happen.  This feature is the ability to have someone else, control your game while watching, so if you need help getting past a certain level, or race, (wow this gave me such a great idea, co-op endurance racing for next Gran Turismo? Polyphony Digital, please make this happen.)  The system will also learn your taste in games and will selectively download games for you to try out.

Getting back to PC game executives, Blizzard Entertainment was at the announcement event.  They've confirmed that Diablo 3 will be coming to PS3/4 consoles.  Since this system is sharing such a similar architecture to a powerful desktop PC, I can only imagine that other companies will start to port their games to this system and provide it for download via Playstation Store (Star Wars The Old Republic maybe?)

With the amount of technology infused in this system, be sure to expect to pay quite a bit to get it.  I for one will be waiting for specific titles to be released before buying mine.

For more information, please visit http://us.playstation.com

Date of Release: Holidays 2013
Monday, February 25, 2013
Sunday, February 24, 2013
Game of Thrones Season 2 Review & Season 3 Preview

Game of Thrones Season 2 Review & Season 3 Preview




Season 2 Recap

     Season 2 opens with the Seven Kingdoms already at war with Robb Stark engaged in battle with the Lannisters for freedom for the north. Robb, being determined to win, tries to enlist the support of the Iron Islands ruled by the Greyjoys, so Robb sends Theon Greyjoy to treat with his father. His father though has other ideas. Back in Kings Landing, the battle for the throne heats up with King Joffrey Baratheon holding the highly contested throne. His uncle Tyrion Lannister arrives in Kings Landing to hold the position of Hand of the King to be chief advisor to Joffrey, but his advice isn't very welcome with opposition coming from his sister, and Queen Regent, Cersei.
     Two of the newest players for the throne come from King Robert's own family with brothers Renly and Stannis both claiming they are the rightful heir to the throne. We've met Renly in season 1, but Stannis makes his debut in this season. His home is the island of Dragonstone and he is backed by Melisandre, a priestess of the Lord of Light, and his right hand man Davos Seaworth, also known as the Onion Knight. Stannis is proven in battle and is the most legitimate threat in the battle for the Iron Throne.
     The fight for the Iron Throne is being fought in more than just the Seven Kingdom as across the narrow sea, as we saw in the finale, Daenerys Targaryen hatched three dragons, the only three in the world. Right now they are still small and vulnerable, but they will eventually grow into fierce and potent threats. Her khalasar has deserted her, so Daenerys and her small band of followers must cross the Red Waste and find new allies to support her in her quest to return to Westeros to claim the Iron Throne.
     There are many and more events going on than just the fight for the throne. In the North, Jon Snow and the Nights Watch have embarked across the wall the quell the Wildling threat as well as search for the missing rangers. As we saw in the season finale, they might have bit off more than they could chew with Jon Snow being captured by the Wildlings and being brought to meet the King Beyond the Wall Mance Rayder and the other Nights Watch dealing with the supernatural threat from the White Walkers.
     Theon Greyjoy has betrayed his foster family, the Starks, and has captured Winterfell in the name of the Greyjoys, supposedly murdering litte Bran and Rickon in the midst. Back in the Stark camp, prize prisoner Jamie Lannister was set free by Caetlyn Stark unbeknownst to Robb. Caetlyn feels that returning Jamie to the Lannisters will hopefully set her girls, who are being kept captive in Kings Landing by the Lannisters, free (at least she believes both are as Arya has escaped and is headed north). 
     We won't have to wait long now for the third season to premiere as the season premiere is set for March 31st on HBO (as of this writing, that's only 35 days away)! If you want to know what to expect in season 3, keep reading as below is the trailer for season 3 and our preview.



Season 3 Preview

     Coming into season 3, the battle for the Iron Throne has changed and has become more fierce. One of the combatants for the throne, Renly Baratheon, has been assassinated by the wicked powers of his older brother Stannis' priestess Melisandre. The Tyrells have allied themselves with the Lannisters and King Joffrey after defeating a surging Stannis in battle. Robb Stark needs to deal with the Freys, with whom he broke his marriage pact with when he married Talisa Maegyr. Stannis is back on Dragonstone brooding over his next movements after his defeat at the Battle of the Blackwater.
     The Stark children are still on the run with Arya in the Riverlands trying to avoid detection while trying to get to the safety of either her mother or brother, Bran is still on his way north to the Wall. At this point, Rickon's location is still unknown after separating from Bran.
     Many other lives hang in the balance as Jamie Lannister is being brought by Brienne across hundreds of miles to Kings Landing, Theon faces his fate for what had transpired at Wintefell and Tyrion and Sansa try to survive Joffrey and Cersei's rule in Kings Landing.
     Daenerys Targaryen is still journeying across the narrow sea and her dragons grow stronger every day. But with her dragons getting bigger and stronger, they are attracting more attention from less than noble people that may try and take them away from her.
     We will also see what happens with the White Walkers beyond the wall, we finally get to meet the King Beyond the Wall Mance Raydar and figure out what the free folk are planning.

Trailer

The Oscars: Who SHOULD Win and Who WILL Win

The Oscars: Who SHOULD Win and Who WILL Win



Well, Oscar night is finally upon us. After weeks of complaining about who got snubbed, in a few short hours we’ll finally get to start complaining about who should have one. Basically the Oscars are just a big excuse for us all to yell about our opinions and get angry when others don’t agree. Anyway, here are my opinions and predictions for what will go down in Hollywood tonight.


Best Visual Effects
Nominees: The Hobbit: An Unexpected Journey, Life of Pi, Marvel’s The Avengers, Prometheus, Snow White & the Huntsman

Who SHOULD win: Life of Pi
Who WILL win: Life of Pi

Taking place almost entirely in the middle of the ocean and featuring a Bengal Tiger as one of its main characters, Life of Pi relies heavily on visual effects to maintain a sense of reality. They wind up being a big part of what makes the film so immersive and blur the line between reality and digital effects, making it nearly impossible to distinguish the difference between the two. The Academy is definitely going to recognize this. And I mean, come on... Just look at that tiger.






Best Film Editing
Nominees: Argo, Life of Pi, Lincoln, Silver Linings Playbook, Zero Dark Thirty

Who SHOULD win: Zero Dark Thirty
Who WILL win: Lincoln

Zero Dark Thirty successfully fits an 8-year journey into a film running just over 2 ½ hours, keeping it engaging and suspenseful the entire way through. But I think the Academy will go with Lincoln on this one, which does a great job of cutting together scenes of gravitas and humor, and featuring a large cast.


Best Costume Design
Nominees: Anna Karenina, Les Misérables, Lincoln, Mirror Mirror, Snow White & the Huntsman

Who SHOULD win: Anna Karenina
Who WILL win: Anna Karenina

I’m usually not one to look into costumes too much, but Anna Karenina really surprised me. Not only were the costumes lavish and impressive to look at, but they actually were a part of the characters. Color schemes and styles became a way to distinguish a character’s demeanor and temper, and changed throughout the film as the characters did.






Best Makeup and Hairstyling
Nominees: Hitchcock, The Hobbit: An Unexpected Journey, Les Misérables

Who SHOULD win: Les Misérables
Who WILL win: Les Misérables

I almost want to say that The Hobbit deserves this award but seeing the film in the new 48fps high frame rate made things look a bit too realistic, resulting in making what would otherwise be extremely impressive hair and makeup look too obviously fake. Because of that I have to go with Les Misérables equally impressive effort, which I think the Academy will go with anyway.






Best Cinematography
Nominees: Anna Karenina, Django Unchained, Life of Pi, Lincoln, Skyfall

Who SHOULD win: Skyfall
Who WILL win: Life of Pi

While Life of Pi is undeniably beautiful to look at and very emotionally engaging because of the way it was shot, I just cannot get over how good Skyfall looks. When I was watching it I didn’t even want to blink because I just wanted to soak in every shot. The fact that it’s an action movie only makes its unlikely beauty more impressive to me. But ultimately I think the Academy will go with the more technically impressive achievements of Life of Pi, which I can hardly blame them for.






Best Production Design
Nominees: Anna Karenina, The Hobbit: An Unexpected Journey, Les Misérables, Life of Pi, Lincoln

Who SHOULD win: Anna Karenina
Who WILL win: Les Misérables

I’m not the most knowledgeable person when it comes to art design, but I feel like Anna Karenina’s sets were incredibly well put together. The way the different scenes were built into the fact that the film is set in a theatre was incredible, even though it wasn’t consistently used throughout the film. I feel like the art direction of Les Misérables will just get more favor with the Academy, which in my eyes was good, but not quite as impressive or innovative.






Best Sound Mixing
Nominees: Argo, Les Miserablés, Life of Pi, Lincoln, Skyfall

Who SHOULD win: Les Misérables
Who WILL win: Les Misérables

Les Mis might have been a bit hard to look at because of all those darn close-ups that Tom Hooper used, but it sounded absolutely amazing. From the singing to the sound effects, everything was spot on. I think the Academy will go that way as well.


Best Sound Editing
Nominees: Argo, Django Unchained, Life of Pi, Skyfall, Zero Dark Thirty

Who SHOULD win: Django Unchained
Who WILL win: Django Unchained

Tarantino films always make use of a wide variety of unique sounds and Django is no exception. I think the sound team for the Django Unchained will take this one.

Best Original Song
Nominees: “Before My Time” by J. Ralph from Chasing Ice; “Everybody Needs a Best Friend” by Walter Murphy and Seth MacFarlane from Ted; “Pi’s Lullaby” by Mychael Danna and Bombay Jayashri from Life of Pi; “Skyfall” by Adele Adkins and Paul Epworth from Skyfall; “Suddenly” by Claude-Michel Schönberg, Herbert Kretzmer, and Alain Boublil from Les Misérables

Who SHOULD win: “Skyfall” by Adele Adkins and Paul Epworth from Skyfall
Who WILL win: “Skyfall” by Adele Adkins and Paul Epworth from Skyfall

“Skyfall.” No question. Next?


Best Original Score
Nominees: Anna Karenina, Argo, Life of Pi, Lincoln, Skyfall

Who SHOULD win: Lincoln
Who WILL win: Lincoln

I feel like this category isn’t quite as strong as it usually is. Argo and Lincoln are the only films in which the music really stood out to me. I think the Academy will give the gold to John Williams for his surprisingly eclectic score for Lincoln. Jaunty and upbeat, dignified and presidential, heavy and brooding, the music was everything it needed to be for the wide ranging tones of the movie.


Best Animated Short Film
Nominees: Adam and Dog, Fresh Guacamole, Head over Heels, The Longest Daycare, Paperman

Who SHOULD win: Paperman
Who WILL win: Paperman

Sweet, funny, emotionally uplifting, and visually striking, Paperman has got everything you’d expect from a Disney short film, and it’s all executed beautifully. And although I feel like it absolutely deserves the win, I think Minkyu Lee’s Adam and Dog needs mentioning for its absolutely beautiful animation.






Best Live Action Short Film
Nominees: Asad, Buzkashi Boys, Curfew, Death of a Shadow, Henry

Who SHOULD win: Curfew
Who WILL win: Henry

I loved everything about Curfew. It was a darkly funny, heartfelt story of a suicidal deadbeat drug addict who has to babysit his estranged sister’s daughter when she’s left with no other option. However, I think the story of an old man struggling with the hardships of old age in Henry is more the the Academy’s speed.






Best Documentary - Short Subject
Nominees: Inocente, Kings Point, Mondays at Racine, Open Heart, Redemption

Who SHOULD win: Kings Point
Who WILL win: Open Heart

I’m not going to lie, I haven’t seen any of this year’s nominees for this category. So after simply reading descriptions of the films I’m going to say that I think Kings Point should win because its look into elderly residents of a retirement home dealing with the loss of their spouses and wanting human connection seems the most genuinely interesting. But I think Open Heart’s story of Rwandan children with heart diseases going to Sudan to undergo surgery seems like the heartfelt story that would win an Academy Award.


Best Documentary - Feature
Nominees: 5 Broken Cameras, The Gatekeepers, How to Survive a Plague, The Invisible War, Searching for Sugar Man

Who SHOULD win: The Gatekeepers
Who WILL win: How to Survive a Plague

Another category in which I haven’t seen any of the nominees, which is a darn shame because I really wanted to see most of these and still plan to at some point. Based on how interesting I find the subject matter, I’ll say that my vote would most likely go to The Gatekeepers, which interviews former heads of the Israeli security service. But the frontrunner in this category definitely seems to be How to Survive a Plague, which I’m guessing will get the win.


Best Foreign Language Film
Nominees: Amour, Kon-Tiki, No, A Royal Affair, War Witch

Who SHOULD win: Amour
Who WILL win: Amour

Amour is the only nominee that I’ve seen but it was a damn good film. And from what it looks like it’s going to run away with this award. I don’t doubt that it’s the best of the nominees.






Best Animated Feature
Nominees: Brave, Frankenweenie, ParaNorman, Pirates! Band of Misfits, Wreck-It Ralph

Who SHOULD win: Wreck-It Ralph
Who WILL win: Wreck-It Ralph

Wreck-It Ralph is everything an animated kids’ film should be. It teaches a valuable lesson, has memorable and lovable characters, and is accessible to both children and adults. It’s definitely my pick and since it already won the Annie Award I think it will be the Academy’s pick as well.






Best Writing - Adapted Screenplay
Nominees: Argo, Beasts of the Southern Wild, Life of Pi, Lincoln, Silver Linings Playbook

Who SHOULD win: Lincoln
Who WILL win: Lincoln

One of the best historical films I’ve seen. There screenplay adequately covers all of the players involved (with the exception of Lincoln’s oldest son’s storyline) and successfully balances a lot of the political play at work during one of our nation’s most trying times.






Best Writing - Original Screenplay
Nominees: Amour, Django Unchained, Flight, Moonrise Kingdom, Zero Dark Thirty

Who SHOULD win: Zero Dark Thirty
Who WILL win: Zero Dark Thirty

For the same reason it’s my pick in editing, Zero Dark Thirty crams eight years of pulse-pounding drama into one film. And that is all possible because of the brilliant screenplay from Mark Boal. From the major events we all saw on the news to the political and bureaucratic struggles behind the scenes, it’s all there and it’s all great. He’ll take home the award for this one, and he deserves it.






Best Supporting Actress
Nominees: Amy Adams in The Master, Sally Field in Lincoln, Anne Hathaway in Les Misérables, Helen Hunt in The Sessions, Jacki Weaver in Silver Linings Playbook

Who SHOULD win: Anne Hathaway in Les Misérables
Who WILL win: Anne Hathaway in Les Misérables

Despite the fact that I have an undying love for Amy Adams and would like nothing more than to see her finally get an Oscar, I have to admit that Anne Hathaway blows her (and the other three nominees) out of the water. Her incredible performance deserves it. Hands down.






Best Supporting Actor
Nominees: Alan Arkin in Argo, Robert DeNiro in Silver Linings Playbook, Philip Seymour Hoffman in The Master, Tommy Lee Jones in Lincoln, Christoph Waltz in Django Unchained

Who SHOULD win: Philip Seymour Hoffman in The Master
Who WILL win: Tommy Lee Jones in Lincoln

Tommy Lee Jones is great in Lincoln, and he would certainly be my pick for Best Supporting Actor had Philip Seymour Hoffman not completely dominated in The Master. Hoffman basically shows what acting is all about in that film, and I think he gave possibly the best performance of his career, but I still think Jones will get the Oscar.






Best Actress
Nominees: Jessica Chastain in Zero Dark Thirty, Jennifer Lawrence in Silver Linings Playbook, Emmanuelle Riva in Amour, Quvenzhané Wallis in Beasts of the Southern Wild, Naomi Watts in The Impossible

Who SHOULD win: Jessica Chastain in Zero Dark Thirty
Who WILL win: Jessica Chastain in Zero Dark Thirty

In my opinion this is the strongest category in this year’s Oscars. All of the performances from these women were incredible. My pick would be Naomi Watts because of how demanding her role was, but she’s really more part of an ensemble. So I have to go with Jessica Chastain, who carries the whole of Zero Dark Thirty on her shoulders with her performance. I think the Academy will agree with me, but I honestly wouldn’t mind if they didn’t. I’d be happy with seeing any of these women win.






Best Actor
Nominees: Bradley Cooper in Silver Linings Playbook, Daniel Day-Lewis in Lincoln, Hugh Jackman in Les Misérables, Joaquin Phoenix in The Master, Denzel Washington in Flight

Who SHOULD win: Joaquin Phoenix in The Master
Who WILL win: Daniel Day-Lewis in Lincoln

Joaquin Phoenix gives the performance of a lifetime in The Master. The fact that he plays with Philip Seymour Hoffman only elevates him to a whole new level. But just as Hoffman will get beaten out by Lincoln’s Jones, Phoenix will of course be bested by Daniel Day-Lewis. Granted, his portrayal of Abraham Lincoln was incredible, as is every one of his performances. Any other year, I’d be glad to see him take home the award, but I feel like Phoenix truly deserves it this time.






Best Director
Nominees: Michael Haneke for Amour, Ang Lee for Life of Pi, David O. Russell for Silver Linings Playbook, Steven Spielberg for Lincoln, Benh Zeitlin for Beasts of the Southern Wild

Who SHOULD win: Ang Lee for Life of Pi
Who WILL win: Steven Spielberg for Lincoln

Life of Pi was long considered a film that would be impossible to make. However, Ang Lee made an “unfilmable” movie into a great one. Getting an excellent performance out of a first-time actor and using the 3D technology in a way that was not only beautiful to see, but also enhance the emotion of the film, Lee deserves to win, but I ultimately think that Spielberg will steal it out from under him.




Best Picture
Nominees: Amour, Argo, Beasts of the Southern Wild, Django Unchained, Les Misérables, Life of Pi, Lincoln, Silver Linings Playbook, Zero Dark Thirty

Who SHOULD win: Zero Dark Thirty
Who WILL win: Argo

Had you asked me when the nominations first came out I would have still said that Zero Dark Thirty deserved the prize, but I would have said that Lincoln would be the one that would take it. Now, given it’s streak of wins at other awards it seems that Argo is most likely to take the Best Picture win.





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Feel free to follow me on Twitter @JOKftw or post in the comments if you’ve got any questions or comments.
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